I’m the kind of guy who when there’s a problem, I like to get on it. I don’t like the problem to get me, I like to get it. When there’s a problem, I face it—I don’t let it faze me. You could say I like to faze it. I like to face my problems and take care of them, I don’t let them take care of me.
My daughter, Mosie, called me early to remind me about the dentist. She was feeding the dogs, and I could hear them whimper and moan as she gratified them. The old dentist had suddenly stopped taking my insurance. I stood watching the lake, its blind surface: here I was, a condo with a view and I’d never had any feelings for Lake Washington.
She had nothing else to say to me. Both of my children—Basho and Mosie—were first-time souls for whom the emotional was alien.
Became a skinhead a year after he moved from Bumblefucktucky. Hit me with his cast. Hurt people hurt people often with their hurt parts. Who broke his arm? His step-dad step on him? They was poor, but they was white.
What if I told you some of the most enlightened women I knew in youth took to the beach and spread oil across their shining décolletage in order to receive the divine? To place themselves in the present and in the path of nature, gazing for hours at an uninterrupted horizon?
Think of Buddhist monks in Tibet sitting cross-legged and naked in the wild, practicing g tummo, the art of inner fire, drying wet sheets on their bodies, melting snow with their minds. It is a matter of radiance and belief, harnessing the power of breath.
This year, Bethany Ball’s debut novel What to Do About the Solomons took the literary world by storm, garnering a rave review from The New York Times and a short-listing for The Center For Fiction’s First Novel Prize. In What to Do About the Solomons, Ball writes a provocative, sexy, and darkly funny tale about a multigenerational family with origins in an Israeli kibbutz. She moves us between decades and continents, from lonely childhood to lonely adulthood to the home raid of an alleged money launderer. Perhaps all in a day in for this intricate family that moves simultaneously closer together and farther apart.
In this month’s interview, Dennis Norris II and Bethany Ball talk writing multigenerational families, awkward sex scenes, and more.
Awkward Sex Scenes Are My Superpower: An Interview with Bethany Ball
The lifesaver found himself on a fire escape reading
a set of instructions. Step 1 directed him to match
the conflagration in his mind with a facsimile
that appeared in a diagram on the page.
That much was obvious, but Step 2 required careful
application: facing the riot & attempting to
extinguish it. This was complicated by the reality