Elias Farkouh’s short story “A Man I Don’t Know” was among the most viscerally engaging pieces in The Common’sIssue 15 portfolio of Arabic fiction from Jordan. A prize-winning writer and translator who has earned accolades for short fiction collections and novels, Farkouh is interviewed by The Common interns Whitney Bruno, Avery Farmer, and Isabel Meyers, who discuss fear, translation, and formal construction with Farkouh. This is the second of two interviews conducted by the summer interns; the first was with Haifa’ Abul-Nadi.
Avery FarmerWe Write Our Own Past: 10 Questions with Elias Farkouh
The Common’s summer interns Whitney Bruno, Avery Farmer, and Isabel Meyers corresponded via email with Haifa’ Abul-Nadi, Issue 15 contributor, about Arabic and English authors, the use of details in evoking emotion, and the power of writing in translation. Abul-Nadi’s short story, “Propositions,” was featured in The Common’s Issue 15 portfolio, ‘Arabic Stories from Jordan.’
TC Interns: What writers and works are you most excited about at the moment?
Haifa’ Abul-Nadi: I am currently reading Eduardo Galeano’s “Voices of Time: A Life in Stories.”
Julia PikeDetails, Description, and Difference: 11 Questions with Haifa’ Abul-Nadi
Like an orgy—or a fight. Legs collide with legs; strangers struggle around each other, into each other. A collective gasp clutches them all together. One, shirtless, leads the ball down the field, stumbles, and loses control of it. Now the ball leads him and leads his opponent into him. The two collide without a sound, the crash dampened by their flesh. Everybody stops to watch them battle for the ball. When it spills free, the first man gains control and rolls it across an invisible line between two heaps of t-shirts. Half the players cry in ecstasy. Half sigh in frustration. For a few seconds before this, nobody breathed at all.
This month, we’re celebrating our wonderful summer interns who work tirelessly to ensure The Common’s excellence despite the heat. As Amherst College students, these three readers ask us to look towards the margins; the lines between civility and scandal, poetry and prose, black and white.