Issue 17 is almost here! Subscribe by March 31st to get your copy, then kick off the weekend with a book recommendation from one of our Issue 17 contributors. This month, our contributors are taking us on inventive narrative journeys across all seven continents and through all four corners of consciousness.
When I think of what it was like to grow up as a gay boy, I remember a particular kind of longing, a confusion over what to do with, or what might happen to, my heart. Most of us lived our earliest years without role models who think and love as we do, whether we looked to our own families or to TV and movies. As we came of age, for many of us, that confusion lingered but led to surprising, triumphant love once overcome. Gary Eldon Peter’s debut short story collection, Oranges, deftly portrays the life of its protagonist, Michael Dolin, as he navigates this trajectory from a childhood in Mason City, Iowa to adulthood in Minneapolis.
Outstanding books often have a way of catching the reader by surprise, one insight, one unexpected narrative shift at a time. Niña Weijers, a debut novelist from the Netherlands, begins her book as a character study of her protagonist, Minnie Panis. Minnie is a conceptual artist of growing international reputation, whose career has been built on acts of public self-abnegation. With each turn of the page, Weijers extends her subject and thematic reach, keeping her protagonist in focus while exploring contemporary art, mysticism, Mayan beliefs, and early childhood development (among other themes) to enrich our understanding of Minnie’s character and the forces that govern her life.
We can’t believe that we’re on the brink of publishing our FIFTEENTH Issue! If you couldn’t make it to our Launch Party, you can still mingle with our Issue 15 contributors in this month’s Friday Reads. When you’re done reading, be sure to purchase your copy of Issue 15 here!
This month, our Issue 14 contributors are reading works that examine the seams of time, from the construction of a fleeting impression, to the scaffolding of a historical drama. Whether it be a poem read from a pulpit or a paperback fished serendipitously from a pile of freebies, these recommendations celebrate literature’s ability to break through temporal boundaries.
Whether you’ve already read Issue 14 twice or you’ve been stealing guilty glances at the untouched copy on your night stand, enjoy a little bonus content from our Issue 14 contributors! This month, our recommendations probe the supposed linear formation of our lives by questioning how we conceptualize our tasks, societies, and time itself. Poetic, comedic, and tragic, these reads shed light on contradictory forces often taken for granted.
Folks, it’s September. Time to stow away that summer beach read and pull out the award-winning tome that’s going to get you noticed by the cute grad student in the coffee shop. This month, read about starkly different economic and cultural worlds existing side by side. As the poor and the rich, the colonizer and the native shift uneasily along slippery fault lines, these recommendations offer brutal looks at friction between and within communities. Harrowing and insightful, you’ll be so engrossed you won’t even notice the number written on your to-go cup.
This month, in response to a world that appears to be split across slippery fault lines, our interns are recommending books that explore cultural unity and interconnectedness. With attention to language, power, racism, and sex, these books ask the reader to reconsider her place in time as an intimate moment in a wider web of humanity.
Elena Ferrante’s Neapolitan Quartet is complete with The Story of the Lost Child,making it possible to see the whole structure, which reveals itself in layers like Naples itself, where former cityscapes are buried by time, political violence, and natural disasters. Reading this final volume, it’s easy to forget that the first book, My Brilliant Friend, frames the entire work as a mystery—aside from the much-discussed secrecy of Ferrante, who uses a pen name, allows no photographs, and, with few exceptions, will only be interviewed via email or telephone. With this volume, Ferrante reminds us again that a question of authorship is embedded into the narrative—who is telling this story? Lila or Elena?
I first encountered Tusiata Avia’s work at the Summer Literary Seminars in St. Petersburg, Russia just after she published her first book, Wild Dogs Under My Skirt. Her mocking voice, sometimes full of mimicry, sometimes searingly sarcastic, often aims at neocolonialism and globalization. Samoan/Palagi, Avia’s mother is descended from the Europeans who first colonized New Zealand and her father, a stunt man, was among the first wave of Samoan immigrants to New Zealand in the 1950s. For seven years before Avia’s second book arrived—Bloodclot, about Nafanua, the Samoan goddess of war, who leaves the underworld to wander the earth as a half-caste girl—she traveled from Siberia to Sudan and read or performed her work in places like Moscow, Jerusalem and Vienna. Last year Avia was poet-in-residence with Simon Armitage at the International Poetry Studies Institute in Australia. This year Wild Dogs Under My Skin was adapted as a theater event for six women and received rave reviews. The recipient of a Fulbright-Creative New Zealand Pacific Writer’s Residency, the Ursula Bethel Writer in Residence at University of Canterbury, a residency at the Macmillan Brown Centre for Pacific Studies in Christchurch, she won the 2013 Janet Frame Literary Trust Award. Truly an international poet with an indigenous Pacifika frame of reference, in Fale Aitu | Spirit House, Avia writes with a visceral, political, spare and passionate authority of someone who has seen the world.