A Little Man

By SYLVIE DURBEC

Translated by DENIS HIRSON

A little man walks
Through the golden dust
It is a summer’s morning
A morning fresh and mild
As other mornings, other sorrows
He walks across roads
Where no one else walks
With a tiny wooden coffin
Tucked under his arm

Is it empty?
Is it full?

Twigs, pebbles, child
What does the little man carry
Tucked under his right arm
As he walks out so bravely
So valiantly
Into the fresh and early morning?

Tiny coffin in the sleeping forest
Where my fine child has come to rest
Sings the father hums the man
As he walks from the town
Towards fields of wheat and corn
Which this year will not be gathered in

Sylvie Durbec’s recent publications include Marseille: éclats et quartiers (Marseille, fragments and quarters), which won the prestigious Jean Follain Prize of the City of Saint-Lô; Sanpatri (Nohomeland)Soutineand L’idiot(e) devant la peinture (Idiot/I look at paintings)

Denis Hirson was brought up in South Africa and lives just outside Paris, France; he teaches at the École Polytechnique. The latest of his seven books is the novel The Dancing and the Death on Lemon Street. He is also the editor of the 2014 anthology In the Heat of Shadows, South African poetry 1996–2013.

[Click here to purchase your copy of Issue 08]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

A Little Man

Related Posts

Feltspade

ELIAS SADAQ
I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men / I fuck the colonel / the only sign that time is passing / is a pile of snow outside the window / that grows smaller

Book cover of Fifty Mothers

Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani

PREETI VANGANI
With vignettes, I could plumb its narrative arc to become a force propelling the book forward. It also felt haunting yet warm that the mothers kept reappearing throughout the life of this grief. That repetition created a chorus of voices that angers and despairs, yet cradles the speaker.

May 2026 Poetry Feature: Arielle Hebert, from Bottom Feeders

ARIELLE HEBERT
Home again at the water’s edge, / palms dancing in salt breeze. / I take a too-deep breath / and the air prickles my lungs / like an unfiltered cigarette. / Only the tourists are swimming, / coughing through the algal bloom, / eyes bloodshot and skin burning.