Curated by SOFIA BELIMOVA
For our September round of Friday Reads, we spoke to two TC contributors, who recommended vibrant prose that leaps off the page and compelling poetry that transcends linguistic barriers while echoing with the sound of home.
Curated by SOFIA BELIMOVA
For our September round of Friday Reads, we spoke to two TC contributors, who recommended vibrant prose that leaps off the page and compelling poetry that transcends linguistic barriers while echoing with the sound of home.

Photo by Lisa Rosenberg
Gulf of Kyparissia, Ilia, Greece
1. This is the story
of cigarette butts and discarded straws.
Of beach, and sea, and all that mythology
rolled into one bright ball where my child plays
Reviewed by TERESE SVOBODA
Eleanor Wilner, a recipient of the 2019 Frost Medal for distinguished lifetime achievement in poetry and MacArthur-winner, had to be coaxed to publish her first collection at age 42. Arthur Vogelsang, her co-editor at the American Poetry Review, “threatened various forms of physical harm if I failed to follow through.” Her reluctance, she says, was “probably a universal fear of rejection but intensified by a woman’s trained reluctance to put her own work forward.” The skid marks in resisting publication, even in Gone to Earth: Early and Uncollected Poems 1963-1975, Wilner’s ninth book of poetry, are further evidence of such modesty. On the acknowledgments page, Wilner includes an excerpt from a poem by her then-young daughter, begging her mother to publish. This is followed by “To the Reader,” a note which assures readers that the poems “belonged to the realm of imagination and not to the world of opinion,” then an italicized eight-line epigraph ending with “she much preferred / what she could not afford: / the luxury of words and light,” and a prelude poem, “Ritual,” set in prehistoric Africa, mourning the muse, “the blackened stone / that once poured fire from its heart.” Only then, a page later, does the book begin, all poems fully fledged.
Curated by SOFIA BELIMOVA
Is your summer to-be-read list getting sparse? Check out these exciting reading recommendations by TC’s latest contributors, including vibrant poetry that explores identity and relation and two novels that dwell on strange encounters and liminal places.
Maya Marshall’s All the Blood Involved in Love, recommended by Susanna Lang (Contributor)
Those of us already familiar with Maya Marshall’s poetry have wanted to see a collection for years, and her debut, All the Blood Involved in Love (Haymarket, 2022), is worth the wait. There are many poets writing now who focus on their identity, but they do not all have access to such rich language that lifts the concerns linked to her identity—Black, female, queer—to the level of poetry.
Curated by SOFIA BELIMOVA
This round of Friday Reads brings you mini book reviews from The Common’s Literary Publishing Interns. From shapeshifting professors to self-deprecating travelers, these reading recommendations will enliven your summer TBR list, whether you curl up with a book in the sunshine or cool off somewhere in the shade.
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Transcript: Adrienne G. Perry Podcast.
Adrienne G. Perry speaks to managing editor Emily Everett about her essay “Flashé Sur Moi,” which appears in The Common’s new spring issue. Adrienne talks about the questions that inspired this essay: questions about memory and friendship and coming of age, questions about what it means to desire someone and be desired, and what we do to appear desirable to others. She also discusses her approach to teaching creative writing, her interest in writing about place, and her current works-in-progress.

Poem by ZHANG QIAOHUI
Translated from the Chinese by YILIN WANG
Poem appears below in both English and Chinese.
Soliloquy
You know where Grandma is buried, but do not know
where Grandma’s Grandma is
Transcript: Cheryl Collins Issac Podcast.
Cheryl Collins Isaac speaks to managing editor Emily Everett about her story “Spin,” which appears in The Common’s new spring issue. “Spin” is about two Liberian immigrants making a new life in Appalachia. In this conversation, Cheryl talks about the inspiration behind this story: writing from music and toward beautiful, sensual language. She also discusses Liberia’s interesting cultural history, her writing and revision process, and what it’s like to do a writing residency in Edith Wharton’s bedroom.
