Outside the window I could hear men calling out to one another, stumbling up the street. Night, so! Safe home! Someone started singing. Then the baby stirred and the living room door clicked shut again. This time my husband heard it too. He got up, switched on the lights, checked that the apartment was locked (it was), and then turned off the lights and came back to bed. Soon he was fast asleep.
Tonight the boys swaying in the northbound train car
wear old-logo Bulls hats and France IV
stitched into their puffy jackets—
Writing in Place is a column in which authors published in our print and web pages tell us about their writing spaces.
I write in a glass-sided room, an addition to a 1950s brick bungalow, southern style. From the threshold that once led to the outdoors, it’s just one giant stride to my desk: space enough to tap at a keyboard, or lie down; for books and papers to breed, but not for dancing (a tiny tango when someone says yes).
The year is 1972, and as you’re driving along the highway in Rifle, Colorado, a giant orange curtain appears, looming vibrantly over a distant valley. Or, maybe it’s 1997 and you’re in Switzerland. You’ve decided it’s a nice day for a walk in Berrower Park when you notice there’s something different about the trees—namely that they’re covered in gargantuan sheets of polyester fabric.
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