Amherst College’s sixth annual literary festival will take place virtually this year, from Thursday, February 25 to Sunday, February 28. Among the guests are 2020 National Book Award fiction winner Charles Yu and longlist nominee Megha Majumdar. The Common is pleased to reprint a short excerpt from Majumdar’s novel A Burninghere.
Rain pelted down onto Altamount Road below, the delicate en pointe technique of a thousand ballerinas rumbling across a stage. Earlier, the sun had exploded into full bloom for an hour, after which rain clouds shuffled in again. I was resting on a single bed as mid-afternoon light filtered through the darkening clouds and cast the sky in an impressionistic purple-gray hue. In this unfamiliar guest room with its pomegranate-velvet Victorian sofa, I listened to the soft violence of the monsoon shower through the flung-open windows. The same sound had been a steady backbeat to my childhood years in Bombay. Then, just as quickly as the rain shower had come, it disappeared.
Three weeks ago, my 11-year-old Indian American cousin woke me up with a series of heartbreaking text messages. Didi you up? Mom dad and everyone else can’t stop watching the news. Theyre thrilled. Kashmir sounds like kishmish. Whats the lime of control btw? Why do hindus dislike muslims? I had not yet gotten out of bed in my small, sleepy university town in Western Massachusetts. But my aunt and uncle were up early in the morning as friends and neighbors, fellow upper-caste pajama-clad Indian Americans with unbrushed teeth and undemocratic hearts, had gathered in their New Jersey apartment to watch the Home Minister of India officially and unilaterally revoke the special status of Jammu and Kashmir, live from the parliament.
Part of what makes Jammu and Kashmir special is what makes India special. As a kid, I used to mug up from my school textbooks that India is the land of festivals, colors, dances, languages, religions, so on and so forth, but I was unable to appreciate the water in which I was a fish. Now when I go for months without hearing words that I don’t understand, as every cashier in every store asks me to ‘have a good one’ in the exact same tone and pitch, I have to listen to a Rajasthani or a Tamil song just to reorient myself. I need to know that there will always be so much that I don’t know. Therefore, I must constantly remember India, much of which is sort of me but not quite me, because it makes me feel bigger than myself.
It is only appropriate that I have no memory of my first journey to Siliguri—I have no memory of my journey to this world either. I make this equivalence without sentimentality—I have lived here, in this small sub-Himalayan Indian town, for most of my life. And even when I haven’t, I’ve been aware of its grainy centripetal force. I was three—I trust my parents, particularly my statistician father, on this. My brother was one—which means he didn’t actually exist, except in the laps of our parents. Three days after arriving from Balurghat, I left home.
The US of A finally stamped its visa in my black pocketbook. Jazz fusion played in my ear, songs from an album fittingly titled This Meets That. I floated out of the document collection center in Nehru Place, New Delhi.