In this episode of The Common’s Contributors in Conversation podcast, Issue 08 contributors Terese Svoboda and Ralph Sneeden read and discuss their pieces “Dutch Joe” and “Stepping Off.”
With the arrival of spring we’re leaping bravely into unfamiliar worlds—safe in the hands of experts, of course. An eerie peripheral dreamscape; quotidian life viewed from upside down or inside out, never as expected; the dark bureaucracy of the criminal underground; messages ferried to and from ghosts—these are unmapped terrains, and what better companions than these authors, their first cartographers? Expand your world(s) this month with these suggestions from our contributors and staff.
Recommended:
Bone Map: Poems by Sara Eliza Johnson, Aimless Love: New and Selected Poems by Billy Collins, Blood and Money by Thomas Thompson, Self-Portrait in Green by Marie NDiaye, Elegies for the Brokenhearted: A Novel by Christie Hodgen.
Book by STEPHANIE STRICKLAND
Reviewed by
Begin with the cover of Dragon Logic: double Garamond italic ampersands. Inverted they propose elegant dragons against a green hide background. “TWO dragons,” Stephanie Strickland writes in the eponymous poem, “keep a pearl/in the air untouched/if yes then no if no then yes.” Their “dragon logic” insists that the reader consider sets that consist of themselves, a common problem in questions of reflexivity where the self of the self-reference is a human self. This proposition enlarges the idea of the juggling proposed by John Keats’ concept of negative capability—“when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.”
ZINZI CLEMMONS interviews TERESE SVOBODA
Terese Svoboda is the author of several books of poetry and prose, most recently the novel Bohemian Girl, which Booklist named one of the ten best Westerns of 2012. Her fourth novel, Tin God, was re-issued this year. Zinzi Clemmons caught up with her during a mild August to discuss Sudan, life in foreign cultures, and multi-genre writing.
Zinzi Clemmons (ZC): Your story “High Heels,” in Issue 05 of The Common, is set on an unnamed island in the Indian Ocean where Swahili is spoken. Which country is this? Did you intend for the reader to gain a sense of a specific location through the story?
Terese Svoboda (TS): It’s Lamu, off the coast of Kenya. It should evoke the disorientation of an extreme change of location for the characters — and, of course, of an island in the Indian Ocean.
There’s smoke and there’s children burning their fingers on the cashews they pluck from the fire.
The boatman wants us to hire him, says the Swahili-speaker among us, but first this boatman is searching for wood for a new tiller. The Swahili-speaker also says not to try for the cashews in the fire ourselves. Papayas will fall, we’ll whack them down with sticks, he says. Let the children have the nuts.