By J. J. STARR  in faith             i pray for you…  i wasn’t            aware of you  i think of you free  a song     a night           you…  pieces, i can share   just some with you…  i am not a victim            all my struggles    might  one day              envelope you  a noise     a name     physical    …

By LIZ DEWOLF The buzzer rattles the empty room. Nearly empty—there’s the bed behind the wooden screen, the couch where Laurel sits in her underwear. Since Arda’s text that afternoon, she’s waited restlessly for him to arrive, imagining his route from where she lived with him on the Asian side of Istanbul to her new apartment on the European side: the…

By OLENA JENNINGS Empty streets, even our taxi  is missing, but the train station  is crowded. I comb   my hair, looking at   the reflection  in the ticket window.  I look out at the morning.  The morning isn’t working.  Light in the station   replaces the sun.  We walk along the platform.  Inside the car, we look at  my reflection  in the window.  We…

By L. S. KLATT I leave the house unlocked & walk to the garage jacked to The White Stripes. My mouth is a guitar; snow is in the sound hole. Spring. I think it’s spring. The automatic door leaps in its tracks & is music again. I record on my phone a soundwave as the GTO convertible wheels out of…

By RUSSELL BRAKEFIELD Reggie pulled his truck up the driveway and past the old goat pasture, a field of knee-high brome that now fed only a rusted tractor, not a buck or a nanny in sight. The only good thing about his wife’s death all those years ago—he could finally let go of the shaggy herd she had loved so…

By RACHEL HADAS The old woman with the art  paces through her silent rooms, sunlight reflecting off the frames. Adult children live downstairs  in the basement. Whose is the art?  Is it the world’s or hers or theirs?  Sunlight moves across the wall.  Rosenquist, Rauschenberg, Marisol  prints, flat and deadpan, do not say how to live from day to day.  Four…

By EZZA AMHED Because I didn’t say Mashallah when she swapped her nose stud for a hoop and two days later I’m met by the bursting bulb of blood and pus which seals the fibrous innards of her nose cartilage on the outside sits the bulb pulsing expanding as if it’s breathing looks like a red evil eye ornament white…

By EMILY NEMENS She was running along the Manhattan side of the East River—this was in the bucolic “before” times, prior to when the city tore up the East Village’s riverside park, chucking its eighty-year-old trees and modernist amphitheater and ebullient perennial flower beds in the name of future flood mitigation—when she felt a curtain being snapped up the back…

By EZZA AHMED Ten days behind my tongue summer in the diasporic,  riding thick in the smell of [God] and fresh cloves. By [God] I mean the monsoon season where water appeared in snake-like streams  erasing all traces of my present tense. I guess I didn’t mind, because the ground would wet into a fresh mirror which really meant that…

By HUGO DOS SANTOS  Despite the brief streaks of self-  belief, a stubborn defeat pervades.   Absent a job, absent a title.   I want to declare: a great undoing has taken place.   And I don’t know where to search for the bricks   that once made up the house of who I used to be.  My children sense what I have not told them.  …

By JULIET MCSHANNON  The Common Magazine · "Rescue" by Juliet McShannon   The dog is crossing a circle. Dawn light catching silver strands on a gray coat, saliva on a panting tongue, a red collar. A lost dog.   For an instant, we lock eyes, then I continue around and take the north exit. I’m in a hurry to get to the meet-up point.…

By LAUREN DELAPENHA consider articulation, both speech   and the assembly of a joint,   the cooperation of bones and  marijuana; English: Mary Jane: shoe, or the talentless friend you   secretly love who is also the pretty,   skirted woman in Spiderman who keeps getting suspended, screaming,   from skyscrapers, and there, dangling, you   will begin to apprehend English,  which is both to fear and to understand   the…

By DÉLANA R. A. DAMERON Excerpted from Fairfield County     When asked what number Pal O Mine should run under, Moses had said, “Number seven or number three. Them’s divine numbers, alright. God made this whole world in seven days. And He’s a trinity: Father, Son, Holy Ghost. Cain’t go wrong with three neither.” It wasn’t often that a Negro…

By BORIS DRALYUK         for Ange Mlinko   Of C. H. Krumm—Charles Harrison, or Harry—  a single trace remains on Catalina,  so oxidized, so salt-worn I could barely  make out the name. How many must have seen it  while rambling from or trudging to the ferry  and given it no mind, no second look?    Lone lettered slat, corroded tongue depressor,  marking the island’s only casualty  of…

By FATIMAH ASGHAR  not even you who caused it. & no one can take my madness not even my honied friends who try to pull me back from the edge of myself, who update each other in the groupchat of how my body is wasting how i’ve stopped eating, frail, my withering wrists. no one can take my vengeance, not the…

By DYLAN CARPENTER   To win you back, I wrote in vain Of a place only the two of us know. Where snow when it snowed wasn’t snow. Where rain when it rained wasn’t rain. That was the world. That was the place Where we lived— But ordinary things, When they fell from our hands, made noise And stars thrown…

By ALEKSANDAR HEMON  I’ve learned that a small amount of painkill blooms into a heartbreak, just as the moon sinks in the ocean, smears and dissolves, depleted by the longest of hopeful nights. There was a time when all that love made sense. And yet, we are back home now, reproducing clichés, reshaping the ancient mistakes, blending snot with tears…

By MARIA TERRONE  The sign painted on the truck is a phrase I contemplate under a vine-covered pergola. You might call this walled city garden my hermitage—the faint notes of a live flute from an open window harmonizing with a robin’s song.             Sirens break my reverie. “Police, fire, or medical assistance?” the voice always…

By LAUREN ACAMPORA When Nayana came out of the garbing room, Noah forgot all about the pinworms. He forgot about the perianal tape test he’d just done on the sentinel mouse in Room 8, and he forgot about the disinfecting he’d have to do for the rest of the week. He forgot about the yellow paper gown, elastic hair bonnet,…

By LYNNE THOMPSON they didn’t find us beautiful. The haters               let our skin slip, slowly, from our bones,              satiated our thirst with sludge and brine water,              led us to wrathful prayers offered in caves.  If they didn’t find us beautiful, it was…

By RU FREEMAN  The Common Magazine · "Ponder Heart" by Ru Freeman   Eudora writes to William about    roses  Mr. Hennessey’s Gloire Dijon  Beauty of Glazenwood found  on the sides of barns its   yellow  flaked with red   caught only   from the windows of passing trains  & he to her as well   of scented posies  Lady Hillingdon ascending   somewhere down a Paris street  the fragrant…

By PETER CAMPION Our hour at the clinic, test  results and what the doctor guessed.  Then the bright intensity  out on Industrial Boulevard,  the late October sun so hard  and air so crisp that everything  felt close and brash and nearly stung.  Silent, you walked next to me.  And I was there to comfort you,  but doing what you had to…

By GEOFFREY BROCK Dream 1: In which he annoys her It was New Year’s Eve when he showed up, in the sleety weather, in his old flannels, to knock on our door again. You’re back! my wife cried. I missed you! He laughed, and as they hugged he lifted her gently into the air—that’s when she remembered he was dead.…

By NINA FULLER Nina Fuller is a Maine-based photographer, writer, counselor, and sheep farmer whose career spans more than five decades. Known for her evocative images of animals, landscapes, and rural life, Nina creates much of her work from her farm and carriage-house studio in Hollis, Maine. Her fine art photography often captures moments of stillness and natural light within…

By FATIMAH ASGHAR  what does it mean, to be free? i sip coke at my phuppos, azaadi on the walls of the university, free kashmir sprawled, azaadi on my body. when i walk the streets of lahore men stare. can i write the poem that makes me free, that brings azaadi to my lips? i say i want to drink…

By RO SKELTON The first apartment that I lived in in Dakar was brand new and backed onto the far end of the airport runway, so that from my bedroom window I had a distant view of the ocean and of a vast baobab tree silhouetted against the hazy Saharan sky. The neighborhood––modest two-story family homes and the occasional new…

By AIMEE NEZHUKUMATATHIL I do my finest listening in the dark. My best friend has always been ink and she lets me talk so much at night. One of the marvels of my life— an alphabet. A whole green and mossy world can be made and remade from just twenty-six dark curlicues. Here’s more dark: sometimes birds sleep tucked under…

By SINDYA BHANOO Dead Man’s Association meets every Wednesday evening at Padiyappa’s Tea Stall & Smoke Shop. I am the president and the primary focus of the club. There is only one table at Padiyappa’s, but at 6:00 p.m. on Wednesdays, no local would dare take my spot. It’s been this way for the past fifteen years. The tea stall…

By STEFAN BINDLEY-TAYLOR His left wrist dangled out the half-wound-down glass of a boxy brown Cadillac with red felt seats. Flies drifted in and out. He had a dip top cone in his hand. The place was famous for them. You’d think it would be melting in the heat, but the molten chocolate shell held the ice cream within firm and cold. The air…

By LAUREN DELAPENHA The miracle of the chain: here, you could be anywhere and still find the same winter tomatoes   (Greece, California, Spain),   the same post-Pilates ableists   palming the treeless fruit for bruising.    Last night, a dream: pushing   my cart with the singing wheel through these neon aisles of peppers   (Peppers! Peppers! All aligned,   ample, capable, rich!), I found  …

By DANIEL TOBIN Like a dog truant among the tended plots it turns back toward us a considerate eye as though sensing the disquiet of our being lost here among all the unfamiliar graves that would be landmarks proving the right way if this were the way we’d believed it to be. It’s not. But the animal roving its own…

By NATALIE LINH BOLDERSTON   A story is an offering—  something with a bright, burstable skin and tender flesh.    Whenever my mother gives me one of her stories, I watch her cut into it, lay it out for me in a way I can consume, in a way she can bear.  Her stories simmer in her muscles, ready to emerge at a flick of her wrist, a familiar flare of joy…

By ANDREW STEINER The first time I saw Lake I was sitting on the bench between sets, waiting for the burn in my chest to subside. She walked past me to the big cage and slung her duffel to the floor. I watched with idle interest as she wrapped her wrists with soft black straps and wrangled her hair into a high loop. Her rose-colored Alphaletes came up well…

 Listen on Apple Podcasts. Listen on Spotify. Transcript: Ro Skelton Ro Skelton speaks to Emily Everett about her essay “Naow’s Boutique,” which appears in The Common’s spring issue. The essay explores Ro’s time living and working in Dakar, where she formed a friendship in her neighborhood that eventually led to a sense of community, and then a community garden,…

Listen on Apple Podcasts. Listen on Spotify. Transcript: Juliet McShannon Podcast. Juliet McShannon speaks to Emily Everett about her story “Rescue,” which appears in The Common’s spring issue. The story follows a woman on her search for a lost dog through a neighborhood very different from her own, and explores ideas of loss, class, community, and healing. Juliet also discusses…

Listen on Apple Podcasts. Listen on Spotify. Transcript: Lauren Delapenha Podcast  LAUREN DELAPENHA speaks to EMILY EVERETT about her poems “Supermarketing” and “If You Are Learning English,” which appear in The Common’s spring issue. Lauren also discusses her process and revision methods, her time at the Disquiet Literary Program in Lisbon, and how balancing both teaching and writing challenges her.…

 Listen on Apple Podcasts. Listen on Spotify. Transcript: Liz DeWolf Podcast.   Liz DeWolf speaks to Emily Everett about her story “Ex Situ,” which appears in The Common’s spring issue. The story follows an American living in Istanbul, navigating the end of a relationship, and the appeal and alienation of living abroad in a layered, complex city. She also…