Beach with a pier in the background

Juiced

NEYSA KING
Slowly I let myself look around the circle—the pleasant, pleasant shapes. One woman, I think, looks like a Botticelli painting: a plump hourglass with small, circular breasts and pink nipples. Another woman’s breasts are flat, turned downward. She has a boyish kind of shape— straight and thin and fun.

Headshot of Jill Pearlman

January 2026 Poetry Feature #1: U-topias

JILL PEARLMAN
One of us sleeping, one of us dreaming with open eyes / strands of your hair in the silver light / when I rubbed the hair in the small of your back, / you awoke to a dog’s sharp nails / You told me it wouldn’t have ended well / in the old country. // You smashing public windows, drunken brawls / in the metro

A horseshoe crab on the sand

Cape May, midsummer

EVELYN MAGUIRE
I become a house lived-in. Living in my mother’s house, again, it’s easy to drift into the past. Blue bottle light, dust motes, a silver rattle. The sound of it: butterfly wings. I am tender towards everything. Everything is a child and I am everything’s mother.

Book cover of Stories from the Edge of the Sea

Review: Stories From the Edge of the Sea

OLGA ZILBERBOURG
Sometimes, the perspective shifts unexpectedly from one character to another across time and space, and in other stories a first-person narrator’s voice that begins a story disappears and the story continues in the third person, as though looking over the shoulder of the earlier first-person narrator.

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