Husbandry

LAUREN ACAMPORA
He felt like a madman, an ogre in a backpack, people stepping out of his way in the narrow alleys. He imagined that every rubbled structure was Nayana’s house, every woman her mother, every girl her sister.

Headshot of Natalie Linh Bolderston

A Story is an Offering: Notes on Storytelling and Inherited Memory

NATALIE LINH BOLDERSTON
Whenever my mother gives me one of her stories, I watch her cut into it, lay it out for me in a way I can consume, in a way she can bear. Her stories simmer in her muscles, ready to emerge at a flick of her wrist, a familiar flare of joy or pain. 

Supermarketing

LAUREN DELAPENHA
For example, the last time I asked God / to kill me I was among the lemons, remembering // the preacher saying, God is a God who is able / to hunger. I wonder, // aren’t we all here for that fast / communion of a stranger reaching // for the same hydroponic melon? 

Book cover of Blessings by Chukwuebuka Ibeh

Searching for Meaning: Chukwuebuka Ibeh interviews David Emeka

DAVID EMEKA
One of the stories I worked the hardest on last year began with me being perplexed by beauty. The meaning of beauty in popular discourse. I had come to a point where I thought: I don’t know what “hot” means; I don’t know what all these words that are supposed to describe human beauty truly signify.

The Constancy of Ocean Sounds

JOHN T. HOWARD
Another morning in New Harbor arrives, this time with sun in place of cloud and fog. The waves, still audible, seem almost louder than yesterday. The dunting off in the near distance swallowed up by the constancy of ocean sounds. Tumult, clamor, crash.

Book cover of Exemplary Humans

Book Review: Exemplary Humans

JAY BOSS RUBIN
When we first witness her breakfast routine, in the novel’s opening pages, it’s quite charming: she spreads globules of milkfat, along with softened butter, onto her not-so-fresh bread, then dunks the bread in her hot, milky coffee. “The fat is rich and the old woman’s entire body tingles.” (Sometimes Natalia is “I,” sometimes she is “Natalia,” and most often she is “the old woman.”)

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