Isabel Meyers

Lost, Found, and Betrayed: A Review of Shirkers

Movie directed by SANDI TAN

Review by HANNAH GERSEN

 

In 1992, at age 19, novelist Sandi Tan wrote and starred in Shirkers, a feature-length road movie shot on the streets of Singapore. The title was inspired by Tan’s idea that in life, there were people who were neither movers nor shakers, but shirkers—those who evade responsibility and duty, escaping the confines of society. It starred Tan as S., a murderer and kidnapper on a mysterious mission to save children. One of Tan’s points of inspiration was J.D. Salinger’s The Catcher in the Rye. The plot didn’t matter as much as the mood, which Tan cultivated through carefully chosen locations, props, costumes, and music. Tan hired a friend to compose a soundtrack on his electric guitar, and hand-made many of her props, including a colorful board game that S. uses to plot her kidnappings. S.’s costume was a pink sailor shirt and blue knee-length shorts; she carried an old-fashioned camera on a strap, as well as a leather suitcase. “When I was eighteen,” Tan explains, “I thought you found freedom by building worlds inside your head.”

Lost, Found, and Betrayed: A Review of Shirkers
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Coloso

By HUGO RÍOS CORDERO

In the same way that some structures carry time on their shoulders, we too want to observe its traces. Every place, of course, has anchors that halt time as it passes by. In Europe, the huge cathedrals are mute and impotent witnesses of history. Likewise, the old sugar mills of Puerto Rico remain to remind us of an era that, while gone, is still harbored within them. These metal monsters, abandoned to their rusty luck, become sanctuaries of memory. The mill Coloso, one of the last of the dying titans, is now only a grey silhouette lost in the green and twisted landscape of the valley.

Coloso
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Psyhi mou

By ADRIANNE KALFOPOULOU

“…to feel at home nowhere, but at ease almost everywhere.”
Georges Perec

“You need to be able to receive beauty.”
Katerina Iliopoulou

I

I am on the island of Patmos for Easter. Though I haven’t come for the holiday specifically. It so happens I’m off from work because it’s Easter, arguably the most important event in the Greek holiday calendar; Christ’s birth the less celebrated event as compared to his death as necessary prelude to resurrection. Patmos, the island where St. John the Divine is said to have had his vision of the apocalypse, generally feels mournful this time of year. Not infrequently it will be a sun-splashed day anywhere else in Greece while here clouds gather in their overcast greys. I am not a believer, though I’m hard put to call myself an atheist. Perhaps agnostic, with its Greek root, is closest to describing my feeling — that is, gnōsis (knowledge), and so agnōsto (unknown) would make me a believer in the unknown.

Psyhi mou
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Baby Was Not Fine

By MINDY MISENER

Right before Baby finished ninth grade, Jerry (Baby’s dad) announced that Baby and Carla (Baby’s older sister) would work for him that summer. Baby thought it was a great idea. She would much rather landscape for Jerry than work at one of the three pizza/sub joints in town, or at a basketball camp for kids, which was most of what of her teammates were doing.

Jerry was six-three (two inches taller than Baby) and had a thick mustache and a laugh that rattled fine china. He’d built the house they lived in. In church he sang the loudest and the most out of tune. Six nights a week he did a hundred push-ups. He never took a sick day. It was true what everyone said, that Jerry was the most hardworking, honest man in Waldo County, Maine. The other thing people said was he didn’t suffer fools, but Baby was not one hundred percent sure what this meant, so she couldn’t say if she agreed.

Baby Was Not Fine
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Tonight, the Wind

By HUGO RÍOS CORDERO

The first empty ring echoed all over the room. Since we had left the island, the phone-bridge had been an effective method to recover some of the sounds that, in their absence, made our exiled evenings emptier. But when they failed to answer, uncertainty and impotence took control. It was still early there. Only the low-pitch whistle of the still-weak wind caressing the tops of the palm trees, that ambiguous premonition that could sway either way. This time it would be real. But not yet.

Tonight, the Wind
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Offstage, Christ

 By KRISTINA FAUST
Winner of the 2018 DISQUIET Prize for Poetry

At the meal with the earnest centurion and the woman full of pain, he wanted to say the lamb was delicious. It surprised him to love it as much as he did the blinking gaze of the newly sighted, but to say so didn’t suit the narrative that was running through his fingers like water.

The bed they’d given him for the lonely night was more than adequate for a man. Besides, he was now nearly sentimental about the roughness of linen and the funk of straw.

Offstage, Christ
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The Burrow

By TERE DÁVILA

 

They started building right away, as soon as it was safe to go outside.

“I can feel them moving!” Cristina squealed, standing knee-deep in leaves.

“Their teeth tickle!” laughed Zoe.

Something had caught their attention as they searched for pebbles and twigs. They crouched amid the soggy storm debris, then sprang up, kittenlike, uncombed curls against the gray sky, chattering and unaware of my presence. But as soon as they saw me approaching they stopped and exchanged looks. Cristina bit her bottom lip and smiled, a small and well-calculated gesture of contrition designed to deflate a scolding, but Zoe, the eldest, fixed her eyes on me, and her body tensed. She seemed ready to run, like a surprised wild thing.

The Burrow
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Easter, Bonifacio High Street

By JOSEPH O. LEGASPI

 

a “mixed-use development”—huge shopping mall—in Bonifacio Global City, Metro Manila

Between the Coffee Bean & Tea Leaf and The Body Shop
a station of the Cross. On a trodden lawn browning into
desert, two lines are formed for shoppers to be Christ-like.
Christ-lite, puns the Pinoy. The devout come forward to suffer,
put their suffering on display. They’d strap a stretch of varnished
four-by-four across their shoulders, ropes tied around their wingspan
arms, the weight of sins redeemed by Jesus on his march to Calvary.

Easter, Bonifacio High Street
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