The Rituals With Which We Stud Our Lives: An Interview with Clare Beams

HILARY LEICHTER interviews CLARE BEAMS

Clare Beams headshot

Clare Beams’s story collection We Show What We Have Learned was published by Lookout Books in October 2016, and is currently a finalist for the 2017 PEN/Robert W. Bingham Prize. Her fiction has appeared or is forthcoming in One Story, The Best American Nonrequired Reading, Ecotone, The Kenyon Review online, Willow Springs, and elsewhere, and has received special mention in Best American Short Stories 2013 and The Pushcart Prize XXXV. She was a 2014 National Endowment for the Arts fellow, and the 2014 Bernard O’Keefe Scholar at the Bread Loaf Writers’ Conference. She has an MFA from Columbia University and lives with her daughters and husband in Pittsburgh.

Hilary Leichter spoke with Beams over email about her story “The Drop,” appearing in Issue 12 of The Common.

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Hilary Leichter (HL): Where and when do you write?

Clare Beams (CB): These days, wherever and whenever I can. I have a daughter who will be four in March, and a brand-new daughter who was just born in December; my first book came out in October, and I’m teaching in a new place this term. So right now I have to pull my minutes for writing out from all the minutes of nursing and grading and trying to convince my older daughter she should eat something besides macaroni and cheese, and put on her pants. I think most of us are always fighting for those writing-minutes, in one way or another.

The Rituals With Which We Stud Our Lives: An Interview with Clare Beams
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Amherst College Literary Festival 2017

Event Date: 
Thursday, March 2, 2017 (All day)Saturday, March 4, 2017 (All day)
Location: 
Amherst College

Amherst’s annual literary festival celebrates the College’s extraordinary literary life by bringing to campus distinguished authors and editors to share and discuss the pleasures and challenges of verbal expression—from fiction and nonfiction, to poetry and spoken-word performance.

This year’s festival features award-winning novelist Zadie Smith, Pulitzer Prize-winning historian Doris Kearns Goodwin, and 2016 National Book Award Fiction Finalists Chris Bachelder and Jacqueline Woodson, among others.

Amherst College Literary Festival 2017
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The Bill

By BIPIN AURORA

From Notes of a Mediocre Man: Stories of India and America

Ramesh Thakur had three houses—one in Defence Colony, one in R.K. Puram, and one in Malviya Nagar.  But he was not happy.

“So much dusting, Chandar.  I go to each house once a week.  I dust, I dust.  The sofas, the tables, the mantelpiece.  I do not forget anything.

“But it is hard work, Chandar.  It is not easy.”

But still I was happy for him.  He was retired, he needed something to do.  This kept him busy.  He had three houses:  there was security in that.  He had some place to go three days a week:  this kept him busy, there was security in that as well.

The Bill
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The Pennies of Corsicana

By SUSAN HARLAN

CORSICANA BRICK CO. So say the bricks, cut within an inch of their lives, and the wet leaves like beetles’ wings, caught in the cobbles. We are the bricks’ leaves, they say, under my feet.

The color of the leaves is the color of the rusty railroad spikes that I gathered in the rain. Illegally, it would seem. Property of the train company, I’m told – possessed by others.

The Pennies of Corsicana
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February 2017 Poetry Feature

Please welcome back TC contributors Elizabeth Hazen, Jonathan Moody, Daniel Tobin, and Honor Moore (whose poem “Song,” published in the first issue of The Common, was reprinted in Best American Poetry 2012). We’re also delighted to welcome Gerard Coletta, who is making his first appearance in The Common.

February 2017 Poetry Feature
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Friday Reads: February 2017

This February, we’re busily reading new novels by three award-winning authors who will be visiting us next month for LitFest at Amherst College. If there’s a common thread for this month’s Friday Reads, it’s memory: commemorating events, friendships, departures, and failures. But it could just as easily be their outstanding quality, as we contribute to the already effusive praise these books have earned. Get reading, and then join us March 2-4 for LitFest!

Recommended:

Swing Time by Zadie Smith, The Throwback Special by Chris Bachelder, and Another Brooklyn by Jacqueline Woodson.

Friday Reads: February 2017
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Night So, Safe Home

By: KATHLEEN CHURCHILL

Ireland

Outside the window I could hear men calling out to one another, stumbling up the street. Night, so! Safe home! Someone started singing. Then the baby stirred and the living room door clicked shut again. This time my husband heard it too. He got up, switched on the lights, checked that the apartment was locked (it was), and then turned off the lights and came back to bed. Soon he was fast asleep.

Night So, Safe Home
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Reading in Public: An Elegy

By JULIA LICHTBLAU

I was riding the F train home the other day reading Colson Whitehead’s The Underground Railroad. The local went express at Jay Street in Brooklyn, and I exchanged an exasperated smile with a woman on the platform. “Is that good?” she asked, pointing to the book. “I’ve been meaning to read it.” I called Whitehead’s disturbing way of mixing history and invention in his novel about slavery, “steampunk abolitionist” and she liked that. Manners obliging, I asked what she was reading. “Something with Ove in the title.” It was funny in surprising ways, but she couldn’t remember the name. We agreed nothing induces amnesia like being asked what you’re reading. The name and author came to her on the local. A Man Called Ove by Frederik Bachman. I promised to look it up. I got off at the next stop feeling rich for our impromptu book club, and grateful for a moment of literary communion that’s all but disappeared.

Reading in Public: An Elegy
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