Only the Surface Breaks

By CALLY CONAN-DAVIES

 

Breaching beyond
the break wall, opening
the open sea like a long polished wound,
baffling the wind
with a force mustered from currents
where free is
two things—
unfathomable as the drowned book,
barnacled as if born and raised
between Aphrodite and the devil’s thumb

a whale heaves out a whale-tail
flaunting sunken love at the sunned earth

old whale, salt drunk, rolling like a swell
on the sea-surface, unsalvageable as a sheet of rain
bent like an anchor, bending like a wave

and when the sky sets pink on the hills
and we turn back to our coverings of light

what deep waters want
is a whale

the ur-face of the overwhelming
awful whale dark
water we all come down to

 

 

Cally Conan-Davies lives by the Southern Ocean on the island of Tasmania. Her poems have appeared in periodicals such as The Hudson Review, Subtropics, Poetry, Quadrant, The New Criterion, Virginia Quarterly Review, The Sewanee Review, Southwest Review, The Dark Horse, and Harvard Review, as well as a variety of online journals.

[Purchase Issue 17 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Only the Surface Breaks

Related Posts

A Tour of America

MORIEL ROTHMAN-ZECHER
This afternoon I am well, thank you. / Walking down Main Street in Danville, KY. / The heavy wind so sensuous. / Last night I fell- / ated four different men back in / Philadelphia season lush and slippery / with time and leaves. / Keep your eyes to yourself, yid. / As a kid, I pledged only to engage / in onanism on special holidays.

cover for "True Mistakes" by Lena Moses-Schmitt

Giving the Poem a Body: Megan Pinto interviews Lena Moses-Schmitt

LENA MOSES-SCHMITT
I think sometimes movement can be used to show how thought is made manifest outside the body. And also just more generally: when you leave the house, when you are walking, your thoughts change because your environment changes, and your body is changing. Moving is a way of your consciousness interacting with the world.

Long wooden table with chairs. Plants in the background.

Four Ways of Setting the Table

CLARA CHIU
We are holding the edges of the fabric, / throwing the center into the air. / & even in dusk this cloth / billowing over our heads / makes a souvenir of home: / mother & child in snowglobe. / Yet we are warm here, beneath / this dome, & what light slips through / drapes the dining room white.