All posts tagged: Interviews

Books Can Help Us Feel Seen: an interview with Crystal Hana Kim

MELODY NIXON interviews CRYSTAL HANA KIM

Crystal Hana Kim’s If You Leave Me is a poignant, lucidly written intergenerational story that will leave you aching. The novel takes a clear-eyed look at the ways adults can end up with the lives we didn’t think we would have—how we deal with the mismatch between dream and reality determines our fate.

Books Can Help Us Feel Seen: an interview with Crystal Hana Kim
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Above the Clouds: An Interview with Chandrahas Choudhury

Chandrahas Choudhury headshot

NEHA KIRPAL interviews CHANDRAHAS CHOUDHURY

Chandrahas Choudhury is a novelist and columnist based in New Delhi. His first novel Arzee the Dwarf was shortlisted for the Commonwealth First Book Prize and chosen by World Literature Today as one of “60 Essential English-Language Works of Modern Indian Literature.” Choudhury is also the editor of India: A Traveler’s Literary Companion.

Released by Simon & Schuster this year, Clouds is Choudhury’s second novel. While fictional, the book weaves in topical themes of religion, democracy, and politics in India.

Via email, Neha Kirpal recently spoke with Choudhury about the people and places that influenced Clouds’ narrative and characters, his obsession with clouds, and a recent mango trail he undertook across the subcontinent.

Above the Clouds: An Interview with Chandrahas Choudhury
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Salons, New York City, and the Litriarchy: an interview with Iris Martin Cohen

Iris Martin Cohen

MELODY NIXON interviews IRIS MARTIN COHEN

Iris Martin Cohen’s debut novel is a witty, incisive, and very funny send up of New York City literary circles and the ambition that drives them. The Common’s Interviews Editor Melody Nixon spoke with Cohen this month about The Little Clan, New York high society, contemporary American male writers and their pitfalls, the female socialite ideal, and, you know, what to do about patriarchal capitalism.

Salons, New York City, and the Litriarchy: an interview with Iris Martin Cohen
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The Thing That Would Unmake You: an Interview with Carmen Maria Machado

HILARY LEICHTER interviews CARMEN MARIA MACHADO 

Carmen Machado Headshot

Carmen Maria Machado’s debut short story collection, Her Body and Other Parties, was a finalist for the 2017 National Book Award, the Kirkus Prize, and the PEN/Robert W. Bingham Prize for Debut Fiction, and the winner of the Bard Fiction Prize and the National Book Critics Circle’s John Leonard Prize. She holds an MFA from the Iowa Writers’ Workshop and has been awarded numerous fellowships and residencies from organizations that include the Michener-Copernicus Foundation, the Yaddo Corporation, Hedgebrook, and the Millay Colony for the Arts. Her memoir, House in Indiana, is forthcoming in 2019 from Graywolf Press. Carmen Maria Machado will be at Amherst College on March 1st at 7:30 for a National Book Awards on Campus Conversation, which is a part of LitFest 2018.

This summer Hilary Leichter met with Machado at her home in Philadelphia, where Machado is the Writer in Residence at the University of Pennsylvania.

The Thing That Would Unmake You: an Interview with Carmen Maria Machado
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Ask a Local: Ejiofor Ugwu, Nigeria

With EJIOFOR UGWU

Your name: Ejiọfọr Ugwu

City or Town: Nsukka, Nigeria

How long have you lived here: Eight years

Three words to describe the climate: early fall, harsh.

Best time to visit? Spring

  1. The most striking physical features of the city/ town are:

A first time visitor to Nsukka will notice an environment full of hills, with houses at the valleys and at the breasts of the hills. Then he moves closer to notice a usually crowded park where the people’s central market, Ogige, is located. Not long ago, the roads were really in bad shape but things have changed now. The new state governor gave the town a serious facelift in terms of road reconstruction and it has increased access to and from the town.

Ask a Local: Ejiofor Ugwu, Nigeria
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The Fault Lines of Home: an Interview with Margot Kahn and Kelly McMasters

ERIN EHSANI interviews MARGOT KAHN and KELLY MCMASTERS

Margot Kahn

Kelly McMasters

Margot Kahn and Kelly McMasters have each been described as landscape writers. Kahn mapped the American West in the biography Horses that Buck and McMasters’ memoir, Welcome to Shirley, grappled with a hometown that was as dangerous as it was idyllic. In subsequent work, both writers found themselves writing and thinking about the places harder to locate on a map and much harder still to define: home. Kahn and McMasters are the editors of the recently published This Is the Place: women writing about home, featuring essays by thirty women writers who explore the complex and messy business of making, being, and leaving—or sometimes escaping—home.

The Fault Lines of Home: an Interview with Margot Kahn and Kelly McMasters
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Ask a Local: Madiha Sattar, Dubai

With MADIHA SATTAR

Juice menus at old-school Dubai cafes

Juice menus at old-school Dubai cafes

 

Your name: Madiha Sattar

Current city or town: Dubai, United Arab Emirates

How long have you lived here:
A year and nine months

Three words to describe the climate: Hot to scorching

Best time of year to visit? November through March. The temperature is in the 60s or 70s, sunbathing on the beach becomes possible and the city finally starts buzzing with outdoor dining and with arts and culture, including Art Dubai, Dubai Design Week and the Dubai International Film Festival.

Ask a Local: Madiha Sattar, Dubai
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Some Voice Has Spoken: an interview with Kirun Kapur

ISABEL MEYERS interviews KIRUN KAPURkirun kapur headshotKirun Kapur is a poet, teacher, poetry editor at The Drum, and author of the collection Visiting Indira Gandhi’s Palmist. Kapur’s debut volume, which grapples with themes of borders, religion, and feminism, feels more relevant by the day since its release in 2015.

Last fall, Kapur taught at Amherst College. She recently spoke to former student Isabel Meyers about Visiting Indira Gandhi’s Palmist; the intersection of personal and political history; girlhood; family as a sense of place; and trusting the poem’s voice.

Some Voice Has Spoken: an interview with Kirun Kapur
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