Avery Farmer

Four Skies

By JOANNA KLINK 

What have you, in such indignation, become. Dusty—
a vaulted interior echoing with air, envy, blood.
Vanity’s steady hum. Each wrong done to you
a gate that opens forever into storm. Farewell to cobwebs
swept with water-lights. Farewell to children who smile off
into the distance.

Four Skies
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de Las Pisadas Del Insomnio / from The Footsteps of Insomnia

By ANA MARÍA FUSTER LAVÍN
Translated by JENNIFER ACKER

An English translation follows the Spanish.

Día 29 desde el huracán y sin luz.  Todavía las jornadas en mi trabajo, por la falta de energía, son más cortas. Mi oficina, a la que llamaba (y ya todas mis amistades conocían como) las catacumbas jurídicas, se perdieron, por lo que nos reubicamos en la biblioteca. Intento llegar lo más temprano posible, para traerle agua fría a mi querido amigo y colega Francisco, para preguntarle a los demás cómo están, si han dormido, a Pabsi si tiene gas y saber cómo siguen su mamá y Lalo (el gato), y a la vez contarles o contarnos todos a modo de terapia de grupo que seguimos a oscuras, que algunos no tienen ni techo, que el gobierno nos amputa las esperanzas en pequeños trocitos, que muchos se han ido, muerto, enferman, emigran, permanecen….

de Las Pisadas Del Insomnio / from The Footsteps of Insomnia
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Review of Dosso Dossi’s Jupiter Painting Butterflies, Mercury and Virtue, 1555

By AMY LAWLESS and JEFF ALESSANDRELLI

Jupiter Painting Mercury and Venus
The way the godly Jupiter paints them,
                        each butterfly comes to life
                                   upon his brushing of the canvas,
                                                   inanimate specter becoming animate

Review of Dosso Dossi’s Jupiter Painting Butterflies, Mercury and Virtue, 1555
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On Confessionalism

By JOHN MURILLO

Not sleepwalking, but waking still,
with my hand on a gun, and the gun
in a mouth, and the mouth
on the face of a man on his knees.
Autumn of ’89, and I’m standing
in a section 8 apartment parking lot,
pistol cocked, and staring down
at this man, then up into the mug
of an old woman staring, watering
the single sad flower to the left
of her stoop, the flower also staring,

On Confessionalism
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To Abandon Paradise

By ANA TERESA TORO

 

That must be the saddest piña colada in the world, I thought as I walked by Barrachina, the restaurant famous for being the birthplace of the Caribbean drink. This was a few months after Hurricane María destroyed everything we knew, and Old San Juan, an epicenter of tourism in Puerto Rico, was still without power. No one was drinking piña coladas. No one remembered that this place was the world’s idea of paradise. A lush, tropical island in the Caribbean with a landscape that offers all shades of green, blue, orange, red, pink, yellow, and purple. White sand and turquoise waters, ripe fruits, and a breeze that smells fresh and salty as the sea or deep and powerful as the soil. The sun is warm all year long, and the tropical humidity just makes it all feel more sensual.

To Abandon Paradise
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They Won’t Find Us in Books

By WILLIE PERDOMO

And after we officially gained entry into the Brotherhood of Bad Motherfuckers, what could our mothers do but lose sleep, wake into prayer, prepare herbs & apples, cursive the names of our enemies on loose leaf, & let their names dust in the sunlight.

Now everything is clean, rezoned & paved, tenements abandoned like whack parties, what is left for us to do but summon bullies from their graves & liberate ourselves from influence.

They Won’t Find Us in Books
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Handwork

By TINA CANE

Lucid dreaming is not a job     but a steady occupation

 

I do not have a big dream     they are only little dreams 

                               and right now I cannot think of one

 

My father read the paper      while my mother scrubbed the floor

I pay a woman $100 a week to help me keep my house clean

Handwork
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