Already done reading our latest Issue? Prolong the fun with these weekend reading recommendations from our Issue 18 contributors.
Recommendations: The Weil Conjectures by Karen Olsson; Marjorie Morningstar by Herman Wouk; 7th Cousins: An Automythography by Erin Brubacher and Christine Brubaker; How To Do Nothing: Resisting the Attention Economyby Jenny Odell
The protagonist of Mahir Guven’s debut novel, Older Brother, is the son of a Syrian emigre taxi driver and a French mother who has died by the time the story begins. He is in his late twenties. An Uber driver addicted to hash, he is living in a suburban ghetto outside of Paris he calls “the dump of France.” He fears his ennui, induced by the indifference of the countless customers he ferries around, might kill him. But despite the jadedness, his caustic humor enlivens him, endowing his fulminations with a faint existential quality.
Issue 18 is almost here! Pre-order your copy today to enjoy brand-new fiction, poetry, essays, and artwork arriving on October 28th. If waiting by the mailbox isn’t your thing, countdown to the magazine’s arrival with book recommendations from some of our Issue 18 contributors.
Recommendations: Evolution of Desire: A Life of René Girard by Cynthia L. Haven; Loves You: Poems by Sarah Gambito; A General Theory of Oblivion by José Eduardo Agualusa; The Farm by Joanne Ramos; and Mirror, Shoulder, Signal by Dorthe Nors.
What does it mean to “rewrite the body?” To dive deeply and lose ourselves in Wyatt Townley’s fourth book of poems, we must think of “body” as physical human frame; body as door, as house; body as a lifetime’s work, needing to be revised, re-visioned, reclaimed. Rewriting is a daily task, a practice, and the body—the poem/house—source of both refuge and danger, of “both / basement and / torna- / do/,” is also a source of connection with the world.
If you’re already as excited as we are, please enjoy this month’s Friday Reads as a special treat – featuring reviews from editors at all the winning publications.
Recommendations: When You Learn The Alphabet by Kendra Allen; Two Lives: A Memoir by Vikram Seth; The Year of Blue Water by Yanyi; Shade It Black: Death and After in Iraq by Jess Goodell; A Feather on the Breath of God by Sigrid Nunez.
Maria Terrone’s grandparents were among the estimated nine million people who emigrated from Italy between 1881 and 1927. While her parents were born in the United States, her connection to Italy is deep, informing her identity and experiences as much as being a lifelong New Yorker has.
Review: Hurtling in the Same Direction – At Home in the New World
The Common is excited to announce Nina Sudhakar as its new Book Reviews Editor. She has served as The Common’s Dispatches Editor since July 2018 and has been a submissions reader since September 2017. She will continue to edit dispatches as well as reviews.
Nina Sudhakar is the author of the poetry chapbooks Matriarchetypes (winner of the 2017 Bird’s Thumb Poetry Chapbook Contest), and Embodiments (forthcoming from Sutra Press in summer 2019). Her work has appeared in, among other places, The Offing, Ecotone, and Midnight Breakfast, and been nominated for Best Small Fictions, Best of the Net, and Bettering American Poetry. A graduate of Amherst College (BA) and Georgetown University (JD/MSFS), she currently lives in Chicago.
On her new position, Sudhakar says, “Working for The Common over the past two years—as a prose reader and currently as Dispatches Editor—has been an absolute joy. I’m so excited to take on the role of Books Reviews Editor and continue helping our team bring exciting, thought-provoking and transporting work to our readers and the literary community.”
Issue 17 is almost here! Subscribe by March 31st to get your copy, then kick off the weekend with a book recommendation from one of our Issue 17 contributors. This month, our contributors are taking us on inventive narrative journeys across all seven continents and through all four corners of consciousness.
Willa Cather once said, “Most of the basic material a writer works with is acquired before the age of fifteen.” I thought of those words while reading Paula Saunders’s cinematic debut novel, The Distance Home, which she has said is based on her fractured 1960s South Dakota childhood. Saunders draws from a deep well.
The Distance Home joins such recent novels as Adam Haslett’s Imagine Me Gone, Joyce Carol Oates’ A Book of American Martyrs, Ann Patchett’s Commonwealth and Elizabeth Strout’s My Name is Lucy Barton that explore family dysfunction. Saunders asks us to consider the violent underside of American drivenness and its impact on a family’s most vulnerable members.