All posts tagged: Book Review

Friday Reads: November 2019

Curated by: SARAH WHELAN

Already done reading our latest Issue? Prolong the fun with these weekend reading recommendations from our Issue 18 contributors. 

Recommendations: The Weil Conjectures by Karen Olsson; Marjorie Morningstar by Herman Wouk; 7th Cousins: An Automythography by Erin Brubacher and Christine Brubaker; How To Do Nothing: Resisting the Attention Economy by Jenny Odell

Friday Reads: November 2019
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Review: Older Brother

Book by MAHIR GUVEN

Translated from the French by TINA KOVER

Reviewed by FEROZ RATHER

book cover

The protagonist of Mahir Guven’s debut novel, Older Brother, is the son of a Syrian emigre taxi driver and a French mother who has died by the time the story begins. He is in his late twenties. An Uber driver addicted to hash, he is living in a suburban ghetto outside of Paris he calls “the dump of France.” He fears his ennui, induced by the indifference of the countless customers he ferries around, might kill him. But despite the jadedness, his caustic humor enlivens him, endowing his fulminations with a faint existential quality.

Review: Older Brother
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Friday Reads: October 2019

Curated by: SARAH WHELAN

Issue 18 is almost here! Pre-order your copy today to enjoy brand-new fiction, poetry, essays, and artwork arriving on October 28th. If waiting by the mailbox isn’t your thing, countdown to the magazine’s arrival with book recommendations from some of our Issue 18 contributors.

Recommendations: Evolution of Desire: A Life of René Girard by Cynthia L. Haven; Loves You: Poems by Sarah Gambito; A General Theory of Oblivion by José Eduardo Agualusa; The Farm by Joanne Ramos; and Mirror, Shoulder, Signal by Dorthe Nors.

Friday Reads: October 2019
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Review: Rewriting the Body

Review by MEG KEARNEY

Book by WYATT TOWNLEY (SFASU Press 2019)

Image of Book Cover

What does it mean to “rewrite the body?” To dive deeply and lose ourselves in Wyatt Townley’s fourth book of poems, we must think of “body” as physical human frame; body as door, as house; body as a lifetime’s work, needing to be revised, re-visioned, reclaimed. Rewriting is a daily task, a practice, and the body—the poem/house—source of both refuge and danger, of “both / basement and / torna- / do/,” is also a source of connection with the world.

Review: Rewriting the Body
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Friday Reads: August 2019

Curated by SARAH WHELAN

The Common is a proud recipient of a Whiting Literary Magazine Prize, and our staff are ready to celebrate! In conjunction with the Brooklyn Book Festival, you’re invited to join Whiting Prize winners The Common, Black Warrior Review, American Short Fiction, The Margins (Asian American Writers Workshop), and The Offing for an evening of literary merriment at LIC Bar in Long Island City. Event details can be found here

If you’re already as excited as we are, please enjoy this month’s Friday Reads as a special treat – featuring reviews from editors at all the winning publications.

Recommendations: When You Learn The Alphabet by Kendra Allen; Two Lives: A Memoir by Vikram Seth; The Year of Blue Water by Yanyi; Shade It Black: Death and After in Iraq by Jess Goodell; A Feather on the Breath of God by Sigrid Nunez.

Friday Reads: August 2019
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Review: Hurtling in the Same Direction – At Home in the New World

Book by MARIA TERRONE

Review by SUSAN TACENT

Cover of At Home in the New World

Maria Terrone’s grandparents were among the estimated nine million people who emigrated from Italy between 1881 and 1927. While her parents were born in the United States, her connection to Italy is deep, informing her identity and experiences as much as being a lifelong New Yorker has.

Review: Hurtling in the Same Direction – At Home in the New World
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Nina Sudhakar Begins New Role as Book Reviews Editor

The Common is excited to announce Nina Sudhakar as its new Book Reviews Editor. She has served as The Common’s Dispatches Editor since July 2018 and has been a submissions reader since September 2017. She will continue to edit dispatches as well as reviews.

Nina Sudhakar HeadshotNina Sudhakar is the author of the poetry chapbooks Matriarchetypes (winner of the 2017 Bird’s Thumb Poetry Chapbook Contest), and Embodiments (forthcoming from Sutra Press in summer 2019). Her work has appeared in, among other places, The OffingEcotone, and Midnight Breakfast, and been nominated for Best Small Fictions, Best of the Net, and Bettering American Poetry. A graduate of Amherst College (BA) and Georgetown University (JD/MSFS), she currently lives in Chicago.

On her new position, Sudhakar says, “Working for The Common over the past two years—as a prose reader and currently as Dispatches Editor—has been an absolute joy. I’m so excited to take on the role of Books Reviews Editor and continue helping our team bring exciting, thought-provoking and transporting work to our readers and the literary community.”

Browse Nina’s publications and learn more about her at www.ninasudhakar.com.

She can be reached at [email protected]

Nina Sudhakar Begins New Role as Book Reviews Editor
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Friday Reads: March 2019

Curated by: SARAH WHELAN

Issue 17 is almost here! Subscribe by March 31st to get your copy, then kick off the weekend with a book recommendation from one of our Issue 17 contributors. This month, our contributors are taking us on inventive narrative journeys across all seven continents and through all four corners of consciousness.

Recommendations: I, the Divine by Rabih Alameddine, Welcome Home by Lucia Berlin, Naming the No-Name Woman by Jasmine An, The Golden Notebook by Doris Lessing

Friday Reads: March 2019
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Review: The Distance Home

Book by PAULA SAUNDERS

Reviewed by TESS CALLAHANthe distance home cover

Willa Cather once said, “Most of the basic material a writer works with is acquired before the age of fifteen.” I thought of those words while reading Paula Saunders’s cinematic debut novel, The Distance Home, which she has said is based on her fractured 1960s South Dakota childhood. Saunders draws from a deep well. 

The Distance Home joins such recent novels as Adam Haslett’s Imagine Me Gone, Joyce Carol Oates’ A Book of American Martyrs, Ann Patchett’s Commonwealth and Elizabeth Strout’s My Name is Lucy Barton that explore family dysfunction. Saunders asks us to consider the violent underside of American drivenness and its impact on a family’s most vulnerable members.  

Review: The Distance Home
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