And after we officially gained entry into the Brotherhood of Bad Motherfuckers, what could our mothers do but lose sleep, wake into prayer, prepare herbs & apples, cursive the names of our enemies on loose leaf, & let their names dust in the sunlight.
Now everything is clean, rezoned & paved, tenements abandoned like whack parties, what is left for us to do but summon bullies from their graves & liberate ourselves from influence.
Se acabaron las promesas, / decían nuestros carteles. [The promises have run out, / our signs said.]
So many perfectly good words have been ruined: Promise. Paradise. Free. Even: Like. Love. Friend. We know that the task of the poet is to renovate ruined words, to make language livable again. To make sure the mouth doesn’t hang off its hinges. To make sure the flame of the tongue stays lit in the storm of speech. But what happens when the poet tires of her labor? In English, this word for work is the same as the word for what a woman must do to push a baby out of her body and into the world. Mara Pastor’s new book of poems, Falsa heladería (False Ice Cream Shop) emerges from a double exhaustion and takes a big breath—then lets loose a current of sound—from the other side.
Natal Promise, Natal Debt: On the Recent Poetry of Mara Pastor
Adál Maldonado’s photographic career is marked by surrealism and politics. And since Adál is Puerto Rican, both things frequently coalesce in images that are dark and humorous, introspective and ferociously critical. After studying at the San Francisco Art Institute, he spent several decades working in close contact with the the Nuyorican scene, creating a conceptual “embassy” and “passport for Puerto Ricans,” U.S. citizens who frequently get treated as foreigners in the United States because of their language, race, and culture. El Puerto Rican Embassy, which today has its own website, was designed to represent: “a new generation of experimental Puerto Rican artists working at the margins of established art movements – who take risks which illuminate contemporary issues, question established cultural aesthetics and challenge dominant political issues.” He has published seven books, the most recent of which are I Love My Selfie, in collaboration with Ilan Stavans, and Los ahogados / Puerto RicansUnderwater, a series first published through social media. In 2016 he relocated from the island of Manhattan to the island of Puerto Rico. (In)visibility and identity are the central concerns of his works, which he has explored extensively through self-portraits, celebrity portraits, and staged photography.