Sunna Juhn

Lviv, Ukraine

By AMBER LOUISE HOOD

Lviv opera house

A marshrutka is kind of a bus but mostly a van, and at full capacity it can carry 10 people from Brody to Lviv. There were 20 passengers in the marshrutka that day. Garrard looked at me and got a thin paperback novel out of his satchel. “It will be at least two hours on this shrutskie today for sure,” he said. He stood hunched over the van’s middle seat and then asked if I wanted some pills.

Garrard is a friend who will stand for two hours so that I can sit. Ours is an intimate friendship wherein I can blindly trust the handful of mystery pills soaked in his palm sweat he gives me. I swallowed the damp pills, a metallic taste lingering on my tongue.

Lviv, Ukraine
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Lesson for Cortney

By CORTNEY LAMAR CHARLESTON

after Lewis Holt

Those are traffic lights. They help stop people from
driving into each other. That’s a crescent moon and star
on top of that building. It means the people inside are part
of The Nation. That’s a gas station. That’s a McDonald’s.
That’s a Burger King. That’s a fried fish and chicken joint.

Lesson for Cortney
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Two Poems in the Courtly Manner

By DAVID LEHMAN

1.

Gather ye rosebuds come what may,

Old time’s a frequent flyer,

And many lovers that link today

May soon be forced to retire.

 

Let each of us have one, each of us be one

Soul unlinking from its mate in the past

To eat the golden apples of the sun.

Youth fondly supposes it will last.

Two Poems in the Courtly Manner
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Still Life with Black Boy’s Face Overlaying Project Buildings

By CORTNEY LAMAR CHARLESTON

Hall of Famer Frank Thomas, from 1990 to 2005,
hit 448 home runs over the fence for the White Sox

with the notorious Robert Taylor Homes standing just
beyond ballpark grounds across the Dan Ryan Expressway:

the high-rises, bruises against the city-flag-blue sky,
eyesores.

Still Life with Black Boy’s Face Overlaying Project Buildings
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The Rituals With Which We Stud Our Lives: An Interview with Clare Beams

HILARY LEICHTER interviews CLARE BEAMS

Clare Beams headshot

Clare Beams’s story collection We Show What We Have Learned was published by Lookout Books in October 2016, and is currently a finalist for the 2017 PEN/Robert W. Bingham Prize. Her fiction has appeared or is forthcoming in One Story, The Best American Nonrequired Reading, Ecotone, The Kenyon Review online, Willow Springs, and elsewhere, and has received special mention in Best American Short Stories 2013 and The Pushcart Prize XXXV. She was a 2014 National Endowment for the Arts fellow, and the 2014 Bernard O’Keefe Scholar at the Bread Loaf Writers’ Conference. She has an MFA from Columbia University and lives with her daughters and husband in Pittsburgh.

Hilary Leichter spoke with Beams over email about her story “The Drop,” appearing in Issue 12 of The Common.

*

Hilary Leichter (HL): Where and when do you write?

Clare Beams (CB): These days, wherever and whenever I can. I have a daughter who will be four in March, and a brand-new daughter who was just born in December; my first book came out in October, and I’m teaching in a new place this term. So right now I have to pull my minutes for writing out from all the minutes of nursing and grading and trying to convince my older daughter she should eat something besides macaroni and cheese, and put on her pants. I think most of us are always fighting for those writing-minutes, in one way or another.

The Rituals With Which We Stud Our Lives: An Interview with Clare Beams
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View with a Grain of Salt

By CHRIS WIEWIORA

salt mine

 

Underground, you expected a loamy smell. Instead you inhale a dry, metallic breeze. The English-speaking Polish guide tells your tour group that the mine’s temperature holds at 57ºF despite the 80º May day above in Krakow. You zip up your jacket before you descend the stairs cut out of salt.

View with a Grain of Salt
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