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Supplementary materials for teaching Issue 21 are listed below.
To accompany the portfolio Arabic Stories from Morocco
An introduction to the portfolio: In “An Orient Free of Orientalism: Magic, the square and women in Moroccan short fiction,” Arabic Fiction Editor Hisham Bustani discusses themes and approaches in contemporary Moroccan fiction as well as the process of putting together Issue 21’s portfolio of Arabic stories in translation. This essay (also available in the original Arabic) will provide useful grounding for students as they explore and reflect on the portfolio.
Explore our collected resources and lesson plans related to literary translation in general, and to Arabic literature in translation, in particular. Teachers may also wish to explore and incorporate some of the contextual, critical, and literary readings discussed in ArabLit’s guide “Teaching with Arabic Literature in Translation: Once and Future Moroccos.”
Pair Malika Moustadraf’s “Lousy” with Moustadraf’s “Just Different,” (also translated by Alice Guthrie) from The Common Issue 11, a special issue entirely dedicated to Arabic fiction in translation. For further reading: Moustadraf’s “Delusion” (trans. by Guthrie as well) was part of a feature on contemporary Moroccan literature in Words Without Borders featuring fiction and poetry translated from Arabic and French.
ArabLit celebrates the legacy of Mohamed Zafzaf, author of “The Seventh,” and Mustapha Hamil explores Zafzaf’s writing and journeying north in a postcolonial world (In the International Journal of Middle East Studies, accessible via JSTOR).
For students reading “The Ache of the Sands”: Abdelaziz Errachidi discusses his literary influences and his novel, A Bedouin on the Edge in an interview with Beirut 39, presented bilingually in English and in Arabic.
In addition to the three stories she translated in this portfolio, students may be interested to explore Alice Guthrie’s numerous other translations from Arabic in The Common’s pages and learn more about Guthrie’s path to translation (via the American Literary Translators Association). .
In an interview with Book Blast, translator Nashwa Gowanlock discusses her career as a translator, favorite literary journals, and favorite prose writers. Gowanlock has also written a number of articles on cultural tidbits and important social issues of the Arab world published in Middle East Eye.
“Beyond Representation: Life Writing by Women in Arabic” by Issue 21 translator Nariman Youssef and translator Sawad Hussain reflects on giving Anglophone readers a better chance to engage with the works of women writers from the Arab world (via Words Without Borders); while this essay focuses on nonfiction writing, it may be productive for students to consider it in relation to the fiction presented in Issue 21’s portfolio of stories from Morocco, including similarities and differences in our expectations and reception of works of fiction and nonfiction.
For further exploration here and elsewhere
Talia Lakshmi Kolluri discusses writing speaking animals and their complex emotional worlds in an interview with Southern Humanities Review. Students might consider how the titular narrator in Kolluri’s Issue 21 story “The Good Donkey” opens up the practical and emotional realities of the story’s human and non-human characters as well as of the story’s setting in Gaza. What aspects of character and place become more available or nuanced when rendered through the Donkey’s voice and perspective? Keeping in mind some of the opportunities and approaches Kolluri describes in her interview, students might try their own hand at a story or poem that centers a non-human voice.
Marth Cooley, author of the short story “Our Day in Peredelkino,” also recently published an evocative essay on the destructive and productive powers of sulfur in The Common Online. Students might consider how these two pieces, one fiction, the other nonfiction, bring forth a sense of place. For further reading – and inspiration – check out a fascinating essay by Cooley on the ontology and significance of boredom as a productive state (LitHub).
In Celeste Mohammed’s story “Home,” set between Trinidad and Barbados, Kimberly and Rachel’s “Soulmates with Benefits”-relationship is challenged in the context of conflicting expectations and family trauma. Mohammed also recently published “Split Me in Two” in The Common Online, an essay exploring the biracial identity she shares with Vice President Kamala Harris and the history of racialization and categorization in the US and the West Indies. In a brief video interview, Mohammed describes her journey towards literary craft and the trials and tribulations of the publishing process (Lit with Loop), and in “When a White Man Paints Black People,” she discusses encountering a series of portraits of Black farmers in Grenada that offer a deep reflection on identity rather than appropriation.
Students who enjoy Emma Sloley’s story “The Cassandras” may find inspiration in her reflections on writing as a big, warm house (Cleaver Magazine), her exploration of writerly rituals as talismans and superstitions (CRAFT), or her discussion with writer Emily Raboteau on climate crisis in fiction (LitHub). Her website also hosts a number of travel writing pieces that students of travel writing and sense-of-place literature may find captivating.
Students taken with Amalia Gladhart’s short story “Misdirection” may be interested to read her critical essay on the significance of theater in the identity of the Ecuadorian immigrant (Studies in 20th & 21st Century Literature).
Pair Lore Segal’s essay “The Grain in the Rectangle” with the Paris Review’s exploration of Segal’s life story and approaches to writing as a Jewish immigrant in a post-World War II world and a short video in which Lore Segal reflects on her childhood, war-time memories, anti-Semitism, and storytelling (Financial Times). For more on Segal’s The Journal I Did Not Keep, check out a review from Harper’s Magazine.
David H. Lynn’s “A Journey Up the Exe” traces the author’s personal journey as well as both the subtle and starkly apparent shifts in this particular ecosystem; students may be interested to explore the complex ecology of The River Exe via a series of fascinating videos and podcasts available through Westcountry Rivers Trust. To build on this essay, students might undertake a smaller journey in their own surroundings, tracing new pathways or finding fresh perspectives on old ones, and use this as the subject of an essay, poem, or story. Students may also be interested in and inspired by Lynn’s essay on the value of literary magazines as artifacts and gateways to publication.
In “The Five-Room Box,” Ravi Shankar explores questions of identity as he recounts a year spent in India amid his otherwise US-based childhood; for further context, read this 2016 interview with Shankar, in which he discusses his cultural background, ekphrasis, and the Tamil language (via The Rumpus). See also: 10 poems by Shankar in The Punch Magazine.
After reading “Finis,” students can explore more poems by Virginia Konchan in our pages. In an essay published by On the Seawall, Konchan writes about the mysterious space occupied by poems not written, and in The Critical Flame, she explores confessional writing and commodification.
Students can find more poetry from L. S. Klatt, author of “Light Ranger,” in our pages, and may enjoy listening to a conversation between Klatt and Oliver de la Paz, in which they discuss their poems from Issue 06 of The Common. Students may also enjoy listening to Klatt speaking with Alise Alousi and Zoe Clark about why people dislike poetry and why it’s such a powerful teaching tool (Michigan Radio).
After reading Rage Hezekiah’s “Cento for Surrender,” read about Hezekiah’s poetic influences and tracing the emergence of her own voice through the work of others (Mom Egg Review). Listen to this interview with Poetry Spoken Here, in which Rage Hezekiah discusses her work as a doula, her relationship with nature, and her gratitude for the poetry that arises from difficult experiences.
Elizabeth Scanlon, author of “Devotion,” discusses spirituality, meditation, and scientific research as poiesis in an interview with The Rumpus; read more of Scanlon’s poetry published in The Common.
Karen Skolfield, author of “Trap Street,” discusses gender, language, and her complex relationship with the military (32poems). Read an excerpt of Skolfield’s collection Battle Dress in our pages. See also: Athena Kildegaard close-reads Skolfield’s Frost in the Low Areas, exploring messages of loss and connections to the work of Elizabeth Bishop (via Bloom).
See all of Issue 21.
Teach Issue 21